• 30 x 30 cm, Fine Art Print Unframed Winged Variation I — The Ascending Ballerina
  • Main image Winged Variation I — The Ascending Ballerina
  • Framed artwork of a stylized fairy on a beige wall above a wooden console table.
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Salimbeni Art Gallery

Winged Variation I — The Ascending Ballerina

Winged Variation I — The Ascending Ballerina

£27.99 GBP
£27.99 GBP
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Winged Variation I — The Ascending Ballerina is part of Ethereal Lines: The Dance Impressed, a collection of fine art drypoint etchings printed on textured archival paper. A frontal figure opens her arms into a span of feathered wings, her skirt falling in a radiating fan of incised lines that taper into a single descending point. The composition holds the symmetry of a reliquary image — an angel, a seraph, a dancer as icon — rendered entirely through the topographical pressure of ink into paper. A thread of line rises above the head, a ghost of gesture beyond the body itself. The tactile grain of the support carries the print: every contour is a cut, every shadow a residue of pressure, and the figure emerges from the paper as much as she stands upon it — a dance impressed into matter.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.