• 40 x 30 cm, Print Acrylic Glass Unframed Pentimento XXV — White Figure on Umber
  • Artwork Pentimento XXV — White Figure on Umber - Printed on Acrylic Glass
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Salimbeni Art Gallery

Acrylic Glass Art Print: Pentimento XXV — White Figure on Umber

Acrylic Glass Art Print: Pentimento XXV — White Figure on Umber

£139.99 GBP
£139.99 GBP
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Pentimento XXV — White Figure on Umber continues the series' inquiry into the passage between generative image and material presence. A dancer turns against a deep umber ground, her raised arm curving above her head in a gesture of classical address, her body and skirt rendered entirely in pale gauze and smoke. The work leans into a restrained, almost monochrome register — white on earth — that recalls the tonal economies of an aged photograph or a drawing on toned paper, where the ground itself does much of the work. The tutu opens in layered veils, the pointes dissolve into vapour, and the composition is held by the warmth of the field rather than the definition of the figure. Printed on acrylic glass, the work acquires the depth the digital origin cannot hold: the pale fibres glow, the umber ground deepens into space, and the first gesture remains visible beneath the matter that now carries it.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.