• 21 x 28 cm, Print Acrylic Glass Unframed Pentimento XXIII — The Column of Dancers
  • Main image Pentimento XXIII — The Column of Dancers
  • Framed abstract art piece on a wall with books and a vase on a table below.
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Salimbeni Art Gallery

Acrylic Glass Art Print: Pentimento XXIII — The Column of Dancers

Acrylic Glass Art Print: Pentimento XXIII — The Column of Dancers

£84.99 GBP
£84.99 GBP
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Pentimento XXIII — The Column of Dancers continues the series' inquiry into the passage between generative image and material presence. A vertical composition gathers several figures into a single ascending form — skirts stacked above skirts, torsos rising one from another, the whole structure wound like a spiral of fibre and smoke. The image reads as both procession and coral, as if the dancers had fused into one continuous gesture travelling upward. Copper and ash pigments move through the filament, anchoring the translucent passages with warmth. Printed on acrylic glass, the work acquires the depth the digital origin cannot hold: the copper threads glow, the pale veils catch light across their folds, and the grey field recedes into space. What remains is the pentimento — the first gesture, still visible through the matter that now carries it.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.