• 20 x 20 cm, Print Acrylic Glass Unframed Pentimento XXII — The Three Graces
  • Main image Pentimento XXII — The Three Graces
  • Framed artwork of a dandelion on a wall in a room with natural light
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Salimbeni Art Gallery

Acrylic Glass Art Print: Pentimento XXII — The Three Graces

Acrylic Glass Art Print: Pentimento XXII — The Three Graces

£64.99 GBP
£64.99 GBP
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Pentimento XXII — The Three Graces continues the series' inquiry into the passage between generative image and material presence. Three dancers stand together against a pale blue-grey ground, their bodies woven from cream and gold fibre, their skirts merging into a single radiating bloom at the base. The composition recalls the classical tre grazie — three figures caught in ritual proximity, bound by the shape they make together — but rendered here in the lightest possible register, as if breathed onto the paper rather than drawn. A faint reflection gathers beneath them, grounding the group without weight. Printed on acrylic glass, the work acquires the depth the digital origin cannot hold: the gold fibres catch light, the cool ground recedes into space, and the first gesture remains visible beneath the matter that now carries it.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.