• 30 x 30 cm, Print Acrylic Glass Unframed Pentimento XVI — The Lunar Dancer
  • Main image Pentimento XVI — The Lunar Dancer
  • Framed artwork of a dancer on a wall above a wooden console table with books and a vase, next to a green leather chair.
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Salimbeni Art Gallery

Pentimento XVI — The Lunar Dancer

Pentimento XVI — The Lunar Dancer

£104.99 GBP
£104.99 GBP
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Pentimento XVI — The Lunar Dancer continues the series' inquiry into the passage between generative image and material presence. A figure stands centred within a dark circular field, her form drawn in pale fibre and chalk — a tutu of silver gauze, a head haloed against the lunar disc behind her. The composition is frontal, still, almost devotional: a dancer held within a tondo, as if remembered from an older tradition of framed figures and painted moons. Printed on acrylic glass, the work acquires the depth the digital origin cannot hold: the pale fibres gain luminosity, the charcoal disc recedes into space, and the warm outer ground carries the weathered tone of aged paper. What remains is the pentimento — the first gesture, still visible through the matter that now carries it.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.