• 40 x 40 cm, Print Acrylic Glass Unframed Pentimento XIV — Degas in Smoke
  • Main image Pentimento XIV — Degas in Smoke
  • Framed artwork of a dancer on a wall above a wooden console table with books and a vase.
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Salimbeni Art Gallery

Acrylic Glass Art Print: Pentimento XIV — Degas in Smoke

Acrylic Glass Art Print: Pentimento XIV — Degas in Smoke

£159.99 GBP
£159.99 GBP
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Pentimento XIV — Degas in Smoke continues the series' inquiry into the passage between generative image and material presence. A dancer stands in repose against a warm tonal ground, her tutu built from amber and ochre fibre, her body woven from gauze and vapour. The pose is quiet, almost Degas-like — a figure caught between rehearsal and stillness — and the tonal field carries the atmosphere of a pastel rather than the clarity of a render. Printed on acrylic glass, the work acquires the depth the digital origin cannot hold: the warm ochres deepen, the translucent skirt holds the light, and the sepia ground recedes into space. What remains is the pentimento — the first gesture, still visible through the matter that now carries it.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.