• 30 x 30 cm, Print Acrylic Glass Unframed Pentimento XI — Ember and Ash
  • Main image Pentimento XI — Ember and Ash
  • Artistic depiction of a jellyfish with a dark gray border
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Salimbeni Art Gallery

Acrylic Glass Art Print: Pentimento XI — Ember and Ash

Acrylic Glass Art Print: Pentimento XI — Ember and Ash

£114.99 GBP
£114.99 GBP
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Pentimento XI — Ember and Ash continues the series' inquiry into the passage between generative image and material presence. A figure balances en pointe, her form suspended between combustion and grace — a skirt of ember-orange dissolving into veils of pale smoke, a torso of cinder and blue flame rising from a single fragile leg. The gesture holds the paradox at the heart of the work: a body composed of its own disappearance, a dancer made of the very element that would consume her. Printed on acrylic glass, the image acquires the optical depth the digital origin cannot hold: the translucent edges glow, the interior reds deepen, and the black field recedes into space. What remains is the pentimento — the first gesture, still visible through the matter that now carries it.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.