• 40 x 40 cm, Print Acrylic Glass Unframed Pentimento IX — Dissolution in Rose
  • Main image Pentimento IX — Dissolution in Rose
  • Living room with a TV displaying a pink flower, wooden cabinet, and armchair.
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Salimbeni Art Gallery

Acrylic Glass Art Print: Pentimento IX — Dissolution in Rose

Acrylic Glass Art Print: Pentimento IX — Dissolution in Rose

£144.99 GBP
£144.99 GBP
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Dissolution in Rose continues the series' central inquiry: what survives the translation from generative image to physical object. A dancer's figure opens into a bloom of silk, petal, and anatomical tissue, one leg still grounded while the rest of the body disperses into smoke. The composition was developed through a custom-trained model and carefully curated for its ambiguity — a gesture caught between emergence and disappearance. Printed on acrylic glass, the image acquires the optical depth that defines the series' material stage: light passes through the translucent pinks, the black field recedes into space, and the surface responds to the viewer's movement. The pentimento here is the dancer herself — the first gesture, still visible beneath the matter that now carries her, a trace of thinking made durable through physical translation.
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An invitation to look slowly

These works are designed to reward repeated viewing. They change as you move. They hold traces of their making. They ask you to notice the difference between an image that lives on a screen and an image that has entered matter.

Printing & Shipping. Acrylic glass and paper editions are produced by WhiteWall, a master fine-art lab based in Germany, and shipped worldwide. Each work carries the artist's digital signature. A signed and dated Certificate of Authenticity is available on request, issued by the artist via email and verified against your order receipt. Etchings are hand-pulled in the studio on the artist's press and shipped directly by the artist.

About the work. Each piece in the Pentimento series begins as a digital composition generated through a custom-trained model and is translated into a physical artwork — printed, pressed, or worked by hand. The aim is not reproduction but re-authoring: the image enters matter, gains light, depth, and surface, and becomes something a screen cannot hold.